If you lean more towards True Autumn, opt for the less rich colours on the True Autumn palette – such as Summer Fig, Spruce Yellow and Maroon Banner. Depending on where you fall on the Dark Autumn spectrum, you can borrow some colours from your sister palettes since they are close enough to the Dark Autumn colour palette. Winter also turns up the brightness, so that Dark Autumns can get away with higher contrast combinations than Soft and True Autumns.Ĭompared to the third Autumn season Soft Autumn, the colours share the same neutral-warm hue but are darker and more saturated.Īs sister palettes, True Autumn and Dark Winter both share Dark Autumn’s aspects of warm and dark, respectively. Winter’s effect on Dark Autumn is to cool the colours somewhat. Therefore, the colours are more saturated, cooler and darker than those of True Autumn.Ĭompared to Dark Winter, the colours are similarly dark but more muted and warmer. It falls at the Winter end of the Autumn palette. They do, however, appear rich due to their warmth.ĭark Autumn sits between True Autumn and Dark Winter on the seasonal flow chart. The colours are medium in chroma meaning they are neither extremely soft and muted, nor extremely bright and vibrant. These are required to create highly contrasted outfits. However, there are also lighter and medium colours on the palette. In keeping with Dark Autumn’s primary colour aspect, most colours have a lot of depth. Even if you choose blue (which is the coolest colour of all), you will find only warmer shades, like turquoise and greenish blues that have a tint of yellow. This means they contain more yellow than blue undertones. The colours lean towards the warm end of the scale but are not extremely warm.
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